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supported by 4 fans who also own “Le château des cordes”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
From the always-great label Umor Rex comes the latest from Lina Filipovich: A ruthless deconstruction of classical pieces. Bandcamp New & Notable Jul 25, 2022